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——. Posters: The 20th-Century Poster Design of the Avant-Garde. New York: Abbeville, 1986.

Anikst, Mikhail, ed. Soviet Commercial Design of theTwenties. New York: Abbeville, 1987.

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——. The Decorative Twenties. New York: Walker, 1969.

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——. Herhert Bayer. Painter, Designer, Architect. New York: Van Nostrand Reinhold, 1967.

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Black, Mary, American Advertising Posters of the Nineteenth Century. New York: Dover, 1976.

Boe, Alf. From Gothic Revival to Functional Form: A Study in Victorian Theories of Design. Oslo: Oslo University Press; Oxford: Blackwell's, 1957.

Bojko, Szymon. New Graphic Design in Revolutionary Russia. New York: Praeger, 1972.

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Broos, Kees. Pet Zwart 1885-1977. The Hague: Gemeentemuseum, 1973.

Brown, Robert K., and Reinhold, Susan. The Poster Art of A. M. Cassandre. New York: E. P. Dutton, 1979.

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——. Word and Image. New York: The Museum of Modern Art, 1968.

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——. William Morris to Whistler. London: George Bell, 1911.

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Design in America: The Cranbrook Vision 1925-1950. New York: Harry N. Abrams, 1983.

Deslandres, Yvonne, with Lalanne, Dorothea. Poiret. New York: Rizzoli, 1987.

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Dorfles, Gillo. Kitsch: The World of Bad Taste.New York: Universe, 1969.

Downey, Fairfax. Portrait of an Era as Drawn by Charles Dana Gibson: A Biography. New York: Charles Scribner & Sons, 1936.

Elliott, David, ed. Alexander Rodchenko and the Arts of Revolutionary Russia. New York: Pantheon, 1979.

Ferebee, Ann. A History of Design from the Victorian Era to the Present. New York: Van Nostrand Reinhold, 1970.

Fortz, Adrian. Obects of Desire. Design and Society fiom Wedgwood to IBM. New York: Pantheon, 1986.

Fraser, James, and Heller, Steven. The Malik Verlag 1916-1947, Berlin, Prague, New York. New York: Goethe House; Madison, N.J.: Fairleigh Dickinson University, 1985.

Friedman, Mildred, ed. De Stijl 1917-1931, Visions of Utopia. New York: Abbeville, 1982.

Frutiger, Adrian. Type, Sign, Symhol. Zurich: ABC Verlag, 1980.

Fuld, James J. A Pictorial Bibliography of the First Editions of Stephen C. Foster. Philadelphia: Musical Americana, 1957.

Gallo, Max. The Poster in History. New York: American Heritage, 1974.

Garner, Philip. Contemporary Decorative Arts fiom 1940 to the Present. New York: Facts on File, 1980.

Gerstner, Karl, and Kutler, Marcus. Die Neue Graphik/The New Graphic Art. New York: Hastings House, 1959.

Glaser, Milton. Milton Glaser Graphic Design. Woodstock, N.Y.: Overlook Press, 1974.

Gluck, Felix, ed. World Graphic Design:Fifty Years of Advertising Art. New York: Watson-Guptil, 1969.

Gombrich, E. H. Art and Illusion. 2nd edition.Princeton: Princeton University Press, Bollingen Series, 1961.

Grannis, Chandler B., ed. Heritage of the Graphic Arts: A Selection of Lectures Delivered at Gallery 303, New York City. New York and London: R. R. Bowker, 1972.

Gray, Camilla. The Russian Experiment in Art 1863-1922. New York: Charles Scribner & Sons, 1973.

Gray, Nicolette. A History of Lettering: Creative Experiment and Letter Identity. Oxford, 1986.

——. Nineteenth Century Ornamented Typefaces. Berkeley: University of California Press, 1977.

Greif, Martin. Depression Modern: The Thirties Style in America. New York: Universe, 1977.

Hageney, Wolfgang. Paris, 1928-1929. Rome and Milan: Editions Belvedere, 1985.

Hammond, Wayne G., and Volz, Robert L. Book Decoration in America, 1890-1910. Revision. Williamstown, Mass.: Chapin Library, Williams College, 1979.

Havinden, Ashley. Advertising and the Artist. London: The Studio, 1956.

Heartfield, John. Photomontages of the Nazi Period. New York: Universe, 1977.

Heller, Steven, and Pomeroy, Karen. Design Literacy: Understanding Graphic Design. New York: Allworth Press, 1997.

Heller, Steven. Design Literacy (Continued): Understanding Graphic Design. New York: Allworth Press, 1999.

Heller, Steven, and Fink, Anne. Faces on the Edge: Type in the Digital Age. New York: Van Rostrand Reinhold, 1997.

Henderson, Sally, and Landau, Robert. Billboard Art. San Francisco: Chronicle, 1979.

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——. Tbe Decorative Arts of the Forties and Fifiies: Austerity Binge. London: Studio Vista, 1970.

——. The Style of the Century 1900-1980. New York: E.P. Dutton, 1983.

——.　The World of Art Deco. New York: E.P. Dutton, 1971.

Hine, Thomas. Populuxe. New York: Alfred A. Knopf, 1986.

Hipgnossis and Hardie, George. The Work of Hipgnossis. New York: A & W Visual Library, 1978.

Hlavsa, Oldruich. A Book of Type and Design. New York: Tudor, 1960.

Hofmann, Armin. Graphic Design Manual: Principles and Practice. New York: Van Nostrand Reinhold, 1965.

Horn, Richard. Memphis: Obects, Furniture, and Patterns. Philadelphia: Running Press, 1986.

Hornung, Clarence P., and Johnson, Fridolf. 200 Years of American Graphic Art: A Retromective Survey of the Printing Arts and Advertising Since the Colonial Period.New York: George Braziller, 1976.

Howarth, Thomas. Charles Rennie Mackintosh and the Modern Movement. London: Routledge and Kegan Paul, 1952.

Hulten, Pontus, organizer. Futurismo, Futurism and Futurisms. New York: Abbeville, 1986.

Hurlburt, Allen.The Design Concept. New York: Watson-Guptil, 1981.——. The Grid. New York: Van Nostrand Reinhold, 1978.

Huszar, Vilmos. Schilder en Ontwerper 1884-1960, De Grote Onbekende Van de Siil. Utrecht: Sjarel Ex, Els Hoek, 1985.

Igarashi, Takenobu, ed. World Trade marks and Logotypes　Ⅱ.Tokyo: Graphic-sha, 1987.

Jan Tschichold: Leben und Werk des Typographen. With an introduction by Werner Klemke. Dresden: VEB Verlag der Kunst, 1977.

Japan Package Design Association, ed. Package Design in Japan. Its History, Its Faces. Tokyo: Rikuyo-sha, 1976.

Johnson, Diana Chalmers. American Art Nouveau. New York: Harry N. Abrams, 1980.

Johnson, Douglas and Madeleine. The Age of Illusion: Art and Politics in France, 1918-1940. New York: Rizzoli, 1987.

Jones , Owen. The Grammar of Ornament. Reprint. New York: Portland House, 1986.

Jordan, Joel T.; Hoeckle, Summer Forest; Jordan, Jason A. Searching for the Perfect Beat: Flyer Designs of the American Rave Scene. New York: Watson-Guptil Publication, 2000.

Jubb, Michael. Cocoa and Corsets. London: Public Record Office, Her Majesty's Stationery Office, 1984.

Kahn, Douglas. John Heartfield: Art and Mass Media. New York: Tanam, 1985.

Kallir, Jane. Viennese Design and the Wiener Werkst?tte. New York: Galerie St. Etienne/George Braziller, 1986.

Karginov, German. Rodchenko. New York: Pantheon, 1980.

Kelly, Rob Roy. American Wood Type, 1828-1900. Notes on the Evolution of Decorated and Large Types. New York: Da Capo, 1969.

Kepes, Gyorgy. Language of Vision. Chicago: Paul Theobald, 1945.

——. The New Landscape. Chicago: Paul Theobald, 1956.

Khan-Magomedov, Selim O. Alexander Rodchenko: The Complete Work. Cambridge, Mass.: M.I.T. Press, 1987.

——. Alexander Vesnin and Russian Constructivism. New York: Rizzoli, 1987.

Kimura, Katsu. Art Deco Package Collection. Tokyo: Rikuyo-sha, 1985.

Koretski, Victor Borisovich. Comrade Poster. Moscow, 1978.

Kostelanetz, Richard, ed. Moholy-Nagy. New York and Washington: Praeger, 1970.

Koumenhoven, John A. Made in America: The Arts in Modern Civilization. New York: Doubleday, 1948.

Kunzle, David. The Early Comic Strip. Berkeley: University of California Press, 1973.

Lang, Lothar. Expressionist Book Illustration in Germany, 1907-1927.

Boston: New York Graphic Society, 1976.

Larner, Gerald and Celia. The Glasgow Style. London: Astragal, 1980.

Lewis, John. Anatomy of Printing: The Influences of Art and History on Design. New York: Watson-Guptil, 1970.

——. The Twentieth Century Book. New York: Van Nostrand Reinhold, 1967.

Lewis, John, and Brinkley, John. Graphic Design. London: Routledge and Kegan Paul, 1954.

Lindsay, Jack. William Morris: His Life and Work. New York: Taplinger, 1980.

Lippard, Lucy R. Dadas on Art. Englewood Cliffs, N.J.: Prentice-Hall, 1971.

Lissitzky-Kuppers, Sophie. El Lissitzky: Life, Letters, Text. London and New York: Thames & Hudson, 1980.

Lista, Giovanni. Le Livre Futuriste. Modena, Italy: Editions Panini, 1986.

Lodder, Christina. Russian Constructivism. New Haven: Yale University Press, 1987.

Lois, George, and Pitts, Bill. The Art of Advertising: George Lois on Mass Communication. New York: Harry N. Abrams, Inc., 1977.

Lucie-Smith, Edward. Cultural Calendar of the Twentieth Century. London: Phaidon, 1981.

Lupton, Ellen and Miller, Abbot. Design, Writing Research: Writing on Graphic Design. London: Phaidon, 1999.

McCarthy, Fiona. A History of British Design, 1830-1970. London and Boston: George Allen & Unwin, 1979.

McClelland, Gordon. Rick Grin. New York: Putnam and Perigee Paper Tiger, 1980.

McDermott, Catherine. Street Style: British Design in the Eighties. New York: Rizzoli, 1987.

Macfall, Haldane. Auhrey Beardsley: The Man and His Work. London: John Lane, 1928.

McLean, Ruari. Jan Tschichold: Typographer. Boston: David R. Godine, 1975.

——. Modern Book Design. New York: Faber & Faber, 1958.

——. Victorian Book Design. New York: Faber & Faber, 1963.

McLuhan, Marshall, and Fiore, Quentin. War and Peace in the Global Village. New York: Bantam, 1968.

Madsen, Stephen Tschudi. Sources of Art Nouveau. New York: Da Capo, 1976.

Marchand, Roland. Advertising the American Dream: Making Way for Modernity, 1920-1940. Berkeley: University of California Press, 1985.

Margolin, Victor. American Poster Renaissance: The Great Age of Poster Design, 1890-1900. New York: Wats0n-Guptil, 1975.

Marzio, Peter. The Democratic Art: Pictures for a Nineteenth-Century America. Boston: David Godine, 1979.

Mayor, A. Hyatt. Popular Prints of the Americas. New York: Crown, 1973.

Meggs, Philip B. A History of Graphic Design. New York: Van Nostrand Reinhold, 1983.

Meikle, Jeffrey L. Twentieth Century Limited Industrial Design in America, 1925-1939. Philadelphia: Temple University Press, 1979.

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Mouton, Henri. A. M. Cassandre. New York: Rizzoli, 1985.

Muller-Brockmann, Josef. The Graphic Artist and His Design Problems. NewYork: Hastings House, 1961.

——. A History of Visual Communication. New York: Hastings House, 1967.

Muller-Brockmann, Josef and Shizuka. A History of the Poster.　New York: Hastings House, 1961.

Murgatroyd, Keith. Modern Graphics. London: Studio Vista, 1969.

Naylor, Gillian. The Arts and Crafts Movement: A Study of Its Sources, Ideals, and Influence on Design. Cambridge, Mass.: M.I.T Press, 1975.

Neuwmann, Eckhard. Bauhaus and Bauhaus People. New York: Van Nostrand Reinhold, 1970.

——. Functional Graphic Design in the Twenties. New York: Van Nostrand Reinhold,1967.

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Packer, William. The Art of Vogue Covers, 1919-1940. New York: Bonanza, 1980.

Passuth, Kristina. Moholy-Nagy. London and New York: Thames & Hudson, 1984.

Pentagram. Ideas on Design. New York: Faber & Faber, 1986.

——. Living by Design. New York: Whitney Library of Design, 1978.

Peterson, Theodore. Magazines in the Twentieth Cenury. ChampaignUrbana, Ill.: University of Illinois Press, 1964.

Pevsner, Nikolaus. Pioneers of Modern Design: From William Morris to Walter Gropius. Harmondsworth, England: Penguin, 1960.

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Prokopoff, Stephen. The Modern Dutch Poster. Champaign-Urbana, Ill.: University of Illinois, Krannert Art Museum, 1987.

Pulous, Arthur J. The American Design Ethic: A Hisory of Industrial Design to 1940. Cambridge, Mass.: M.I.T Press, 1986.

Quilici, Vieri, ed. Rodchenko, the Complete Work. Cambridge, Mass.: M.I.T Press, 1987.

Radice, Barbara. Memphis: Research, Experiences, Results, Failures, and Successes of New Design. New York: Rizzoli, 1984.

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——. Thoughts on Design. New York: Van Nostrand Reinhold, 1971.

Read, Herbert. Art and Industry. New York: Horizon, 1961.

Reed, Orrel P., Jr. German Expressionist Art: The Robert Gore Rifkind Collection. Los Angeles: University of California, Frederick S. Wright Art Gallery, 1977.

Rennert, Jack. Timeless Images. Tokyo: Isetan Museum of Art, 1984.

Rhodes, Anthony. Propaganda: The Art of Persuasion, World WarⅡ. Victor Margolin, ed. New York: Chelsea House, 1976.

Rowland, Kurt. History of the Modern Movement. New York: Van Nostrand Reinhold, 1974.

Rubin, William S. Dada, Surrealism, and Their Heritage. New York: The Museum of Modern Art, 1968.

Rublowsky, John, and Heyman, Ken. Pop Art. New York: Basic Books, 1965.

Sanders, Barry. The Craftsman: An Anthology. Santa Barbara: Peregrine Smith, 1978.

Sartogo, Piero. Italian Re-Evolution: Design in Italian Society in the Eighties. La Jolla, Calif: La Jolla Museum of Contemporary Art, 1986.

Schau, Michael. All American Girl: The Art of Coles Phillips. New York: Watson-Guptil, 1975.

Schmidt, Joost. Lehre und Arbeit am Bauhaus 1919-32. Dusseldorf: Editions Marzona, 1984.

Schweiger, Werner J. Wiener Werkst?tte: Design in Vienna, 1903-1932. New York: Abbeville, 1984.

Selz, Peter, and Constantine, Mildred. Art Nouveau. New York: The Museum of Modern Art, 1976.

——. Art Nouveau: Art and Design at the Turn of the Century. New York: The Museum of Modern Art, 1959.

Sembach, Klaus-Jurgen. Exactitude: Style 1930. New York: Univerg, 1986.

Shahn, Ben. The Shape of Content. Cambridge, Mass.: Harvard University Press, 1957.

Snyder, Gertrude, and Peckolick, Alan. Herb Lubalin: Art Director, Graphic Designer, and Typographer. New York: American Showcase, 1985.

Sparke, Penny. An Introduction to Design and Culture in the Twentieth Century. London: Allen & Unwin, 1986.

Sparke, Penny; Hodges, Felice; Coad, Emma Dent; and Stone, Anne. Design Source Book. Secaucus, N.J.: Chartwell, 1986.

Sparling, H. Halliday. The Kelmscott Press and William Morris, Master-Craftsman. New York: Macmillan, 1924.

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——.The Liberated Page: A Typographical Anthology. San Francisco: Bedford, 1987.

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Thorgerson, Storm, and Powell, Aubrey. 100 Best Alhum Covers. London, New York, Sydney: DK Publishing, Inc., 1999.

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Updike, Daniel Berkeley. Printing Types, Their History, Forms, and Use: A Study in Survivals. New York: Dover, 1980.

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Varnedoe, Kirk. Vienna 1900: Art, Architecture and Design. New York: The Museum of Modern Art, 1986.

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Yasinskaya, I. Revolutionary Textile Design. Russia in the 1920s and 1930s. New York: Viking, 1983.

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ANNUALS

American Institute of Graphic Arts. AIGA Graphic Design, USA. New York: Watson-Guptill, 1980.

Art Directors Club. Annual of Advertising and Editorial Art. New York: 1921-present.

Coyne, Richard. CA Annual of Design and Advertisings. Palo Alto: Communications Arts Books, 1958.

Herdeg, Walter. Graphis Annual Zurich: Graphis Press. New York: Hastings House, 1952.

Print Casebooks. Three six-volume editions of the best in graphic design from 1975 to 1980. Bethesda, Md.: R. C. Publications.

"The Society of Illustrators." The Illustrators' Annual. New York: Hastings House, 1959.

Typography: The Annual of the Type Directors' Club. New York: Watson-Guptill, 1985.